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The Studio and Forum of Stage Design was a significant training school for theatre designers, that was started by Lester Polakov in Greenwich Village, New York City, in 1958.〔Wilmeth, Don B., editor. Bigsby, Christopher, editor. ''The Cambridge History of American Theatre. Volume III.'' Cambridge University Press. 2000. page 522. ()〕 Mr. Polakov was born in Chicago in 1916 and studied in New York with George Grosz and at Columbia University. He began his career designing sets in summer stock and in 1939 made his debut in New York City as the scenic designer for The Mother. This was quickly followed in 1940 by designing the costumes for Reunion in New York, as well as assisting scenic designer Harry Horner on Lady in the Dark. After service in World War II, he resumed designing and also painting, with several exhibitions of his paintings as a result. In 1958, he established the Lester Polakov Studio of Stage Design, later known as the Studio and Forum of Stage Design, where he employed some of the best known designers of sets, lights, and costumes to teach design. In addition to teaching and overseeing the operation of the school, he continued to design sets and costumes for the stage. In 1993, Polakov published his book, ''We Live to Paint Again.''〔Polakov, Lester. ''We Live to Paint Again.'' Logbooks Press. 1993. ISBN 978-0963972002〕〔(Theatre Development Fund website. Lifetime Achievement Award )〕 In 1999, Polakov was the recipient of the Distinguished Achievement Award in Scenery presented to him by United States Institute for Theatre Technology's Distinguished Achievement Award in Scenery. His credits include Call Me Mister (1946, scenic design), Crime and Punishment (1947, costume design), The Member of the Wedding (1950, scenic, costume, and lighting design; also replacement stage manager),〔Carr, Virginia Spencer. ''The Lonely Hunter: A Biography of Carson McCullers.'' University of Georgia Press 2003. pages 333-339 ()〕 The Skin of Our Teeth (1955, scenic design), Great Day in the Morning (1962, scenic and lighting design), and Charlotte (1980, scenic design).〔(Playbill website for Lester Polakov )〕〔(Theatre Development Fund website. Lifetime Achievement Award )〕 He was a scenic designer who, through his years of working in theatre, gathered together a group of like-minded designers to create a teaching environment that was esteemed, though it was not connected to any university or academic institution.〔Wilmeth, Don B., editor. Bigsby, Christopher, editor. ''The Cambridge History of American Theatre. Volume III.'' Cambridge University Press. 2000. page 522. ()〕 Through this school, and the corresponding work done by union members of United Scenic Artists l.u. 829 (now a part of the I.A.T.S.E), they created and promoted the idea of conceptual based designing. All the teachers in the school were working professionals, usually Broadway based designer. Their names read like a "Who's Who" of American theatre designers. The list included: Lester Polakov, John Gleason, Tom Skelton and Arden Fingerhut. The school had courses that included scenic design, scenic painting, still life sketching, costume design and lighting design. Today, none of the original creators of this school survive. ==References== 〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「New York Studio and Forum of Stage Design」の詳細全文を読む スポンサード リンク
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